Yasmin Watts is a sculptor and architect exploring how the spiritual, relational and ethical dimensions of Zoroastrian thought can be embodied in space and form.

Her practice unfolds from spaces between languages, cultures, histories and structures, creating sculptural environments that hold the resonance of silence and care.

Each work is both threshold and reflection; a space where architecture becomes gesture and material becomes memory.

Her micro-spaces invite stillness, intimacy and sensory connection, asking the viewer not only to look but to dwell.

Each form is a hinge, a holding point, a question suspended in weight.

Rooted in her Zoroastrian heritage and diasporic experience, Watts builds from rhythm, attention and ethical participation. Her figures lean, listen and remember, carrying presence through restraint.

I build micro-worlds—scattered, suspended, resilient. Like breath. Like dust. Like self.
I sway. I cross. I miss. I land. I keep moving.

These forms do not declare. They hold. They linger. They pause. Her sculptures dwell in margins; creases, folds, soft geometries that resist monumentality and invite closeness.

Micro-spaces. Not rooms. Not walls.
Creases. Corners. Edges. Surfaces. Pauses.

You are not outside the work. You’re in it. You’re part of it. It breathes through you.
Material has weight. It has temperature. It tells the truth.
You can touch it. It touches back.

Each sculpture is an invitation to enter, to dwell, to feel the weight of silence. Here architecture becomes gesture. Material becomes memory. Presence becomes porous.

This is a practice of quiet resistance; of returning to the body, to memory, to fire. A sculptural language born from what cannot be spoken but must be held.

This is not a performance. It’s a return.
A rhythm of repair. A space to hold questions.
A practice shaped by the flame that still moves within.

Watts invites us into sculptural worlds that murmur, that breathe, that listen back.